22 Aug 2024

Revitalising a Victorian Terrace

This welcoming Victorian terrace kitchen and ‘yarden’ architectural interior design renovation by Studio Dean in Newcastle created a connected spatial solution without an extension or bi-fold in sight. Here, Founder and CEO of Studio Dean, Cathy Dean, walks us through the project.

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Studio Dean partially renovated the Victorian city-centre semi in 2019. We always work to an interior architecture ‘masterplan’ of how the client wants the eventual entire finished project to end up, even if they only have the financial or mental bandwidth to tackle it one step at a time.

Last year, the client returned to us, asking for her small, dark galley kitchen and yard to be transformed into a bright, airy space designed for friends to gather. She initially just asked for the kitchen to have a facelift, but financially it makes sense to do things once, and do them properly, so this renovation is what we suggested. 

Our client loves having her friends round for dinners, which she cooks from scratch. She wanted to create a space where they could hang out with her comfortably in the kitchen while she prepared dinner. The way the kitchen was, there just wasn’t room.

Cathy’s vision

Our architectural solution was to knock down the lean-to and install a huge, south-facing picture window. We then took the connected cooking idea a step further and opened up a west-facing window between the cooker and an outdoor bar area. This created a connected indoor/outdoor living space without the need for floor-to-ceiling bi-fold doors, where our culinary client could cook with her friends. Connectivity doesn’t always mean that you need to walk between spaces. 

Our client had a range cooker, which she thought was a must-have for a keen cook. This can be true but, in this case, it was holding her back from her ultimate goals for the space. A range cooker brings all of the cooking into one place, which can be good, but it means that you are confined to that one space, without a lot of preparation space to hand. We replaced the range with eye-level ovens and placed a huge hob by the window that had seating on the other side, with loads of space so that our client could prep, chat and do the active cooking in the most sociable spot in the house, not hunched over a range, looking at a wall.

Light and bright

Our client was excited about bringing in yellow to her kitchen to ‘create a bright, sunny space’ that tied into the stained-glass pieces in her home, which had yellow panes. As a studio, we struggle with yellow as it is notoriously tricky to get right and work in the elegant, timeless style and palette that we had used for the rest of the house. As a solution, we found some brilliant-yellow glazed tiles that reflect all shades of yellow. This meant we could tie the neutral palette and the yellow together using green tones and neutrals, and make the space light, bright and summery without using yellow paint. Our client loved that we were clever enough to deliver yellow in a way that would work with the interior design rest of her home. 

Breakfast nook

We also managed to integrate a breakfast cupboard. We created a bespoke laundry space in tall cupboards around the door and hid all the laundry machines in there with pull-out airers – and even a small heater to help clothes dry. If a laundry room needs to be done in a small space, this is the way to do it. We used a lot of drawers in place of cupboards to maximise storage space.

‘Yarden’ of dreams

Outside, we built a bespoke seating area on decking and used tiles that echoed the interior flooring and woodwork that matched the indoor rooms to create continuity between the spaces. We installed vertical planting.

The process was not all plain sailing. When we were taking out a lot of wall and putting in a lintel, we discovered there was half a lintel in there and not a full one. The joists were undersized for holding up the upstairs floor. The project then became a full structural engineer’s report on how to support the house, and it became a much bigger architectural job. This had a knock-on effect on the external work. We were also reliant on the weather; no concrete meant no tiling, which meant no planting. We learned to always put a really good project manager in place who can deal with the unexpected – and never ever rely on the British weather; always have a contingency plan!

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